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June 7, 2010

FABRIC GLOSSARY

Filed under: Drapery/Window Treatments,Fabric — Garett@EW @ 4:54 PM
Index: A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z
A

Absorbency

The ability of a fabric to take in moisture.

Acetat

A manufactured fiber formed by compound of cellulose, refined from cotton linters and/or wood pulp, and acedic acid that has been extruded through a spinneret and then hardened.

Acrylic

A manufactured fiber, its major properties include a soft, wool-like hand, machine washable and dryable and excellent color retention.

Alpaca

A natural hair fiber obtained from the Alpaca sheep, a domesticated member of the llama family.

Angora

The hair of the Angora goat. Also known as Angora mohair. Angora may also apply to the fur of the Angora rabbit.

Antique Satin

A reversible satin-weave fabric with satin floats on the technical face and surface slubs on the technical back created by using slub-filling yarns. It is usually used with the technical back as the right side for drapery fabrics and often made of a blend of fibers.

Argyle

A pattern designed with different color diamond shapes knit into a fabric.

B

Bamboo Fabric

Bamboo fabric is a natural textile made from the pulp of the bamboo grass. Bamboo fabric has been growing in popularity because it has many unique properties and is more sustainable than most textile fibers. Bamboo fabric is light and strong, has excellent wicking properties, and is to some extent antibacterial.

Bark Cloth

A textured woven, usually printed cotton fabric that was popular in the 30s-40s and 50s as an interiors fabric. The prints were often large vines, leaves and florals.

Batik

A method of dyeing fabric where some areas are covered with wax or pastes made of glues or starches to make designs by keeping dyes from penetrating in pattern areas. Multicolored and blended effects are obtained by repeating the dyeing process several times, with the initial pattern of wax boiled off and another design applied before dyeing again in a new color.

Batiste

A lightweight, plain weave fabric, semi-sheer and usually made of cotton or cotton blends. Appropriate for heirloom sewing, baby clothes and lingerie.

Bedford Cord

A cord cotton-like fabric with raised ridges in the lengthwise direction. Since the fabric has a high strength and a high durability, it is often used for upholstery and work clothes.

Bengaline

A fabric with a crosswise rib made from textile fibers (as rayon, nylon, cotton, or wool) often in combination.

Boiled Wool

Felted knitted wool, it offers the flexibility of a knit with great warmth. Create your own by washing double the needed amount of 100% wool jersey in hot water and drying in a hot dryer. Expect 50% shrinkage. Appropriate for jackets, vests and stuffed animals.

Boucle

A knit or woven fabric with small curls or loops that create a nubby surface. The fabric has a looped, knotted surface and is often used in sweater looks, vests and coats.

Broadcloth

A plain weave tightly woven fabric that is usually made from 100% cotton or a cotton blend. Most common uses are quilting and shirt-making.

Brocade

A heavy jacquard-type fabric with an all-over raised pattern or floral design. Appropriate for upholstery, draperies, handbags and eveningwear.

Burlap

A loosely constructed, heavy weight, plain weave fabric. It has a rough hand. Appropriate for draperies and decorative items.

Burn-out Velvet

Created from two different fibers, the velvet is removed with chemicals in a pattern leaving the backing fabric intact. Appropriate for more unconstructed and loosely fit garments.

C

Camel’s Hair

A natural fiber obtained from the under-hair of the camel. It is relatively close to cashmere. Appropriate for coats and jackets. Very soft hand.

Calico

A tightly-woven cotton type fabric with an all-over print, usually a small floral pattern on a contrasting background color. Common end-uses include dresses, aprons, and quilts.

Cambric

A fine thin white linen fabric.

Canvas

A strong, durable, closely woven cotton fabric.

Cashmere

A natural fiber obtained from the soft fleecy undergrowth of the Kashmir goat. Most commonly used in sweaters, shawls, suits, coats, and dresses. A luxury fiber with a very soft hand.

Challis

A lightweight, soft plain weave fabric with a slightly brushed surface. The fabric is often printed, usually in a floral pattern. Challis is most often seen in fabrics made of cotton, wool, or rayon.

Chambray

A plain woven fabric that can be made from cotton, silk, or manufactured fibers, but is most commonly cotton. It incorporates a colored warp (often blue) and white filling yarns.

Chantilly lace

This lace has a net background, and the pattern is created by embroidering with thread and ribbon to create floral designs. The pattern has areas of design that are very dense, and the pattern is often outlined with heavier cords or threads.

Charm Quilt

A quilt made of many, many small patches (traditionally 2″ or so) where each piece is a different fabric. The pattern is usually a one-patch design and often involves swaps and trades with friends to gather many fabrics.

Charmuese

A luxurious, supple silky fabric with a shiny satin face and a dull back. Generally either silk, rayon ,or polyester. Suitable for blouses, fuller pants and lingerie.

Cheesecloth

A lightweight, sheer, plain-woven fabric with a very soft texture. It may be natural colored, bleached, or dyed. It usually has a very low count. If dyed, it may be called bunting and could be used for flags or banners.

Chiffon

Lightweight, extremely sheer and airy fabric, containing highly twisted fibers. Suitable for full pants, loose tops or dresses.

Chintz

A plain-weave fabric, which has been glazed to produce a polished look. Fabric must be dry-cleaned as the glazing will wash off with machine laundering. Suitable for drapes and lining.

Chite

Painted linens that originated in Chitta (India) in the 17th century.

Corduroy

A fabric, usually made of cotton or a cotton blend, utilizing a cut-pile weave construction. The ”wale” indicates the number of cords in one inch. Suitable for jackets, pants and skirts.

Cotton

a white vegetable fiber grown in warmer climates in many parts of the world, has been used to produce many types of fabric for hundreds of years. Cotton fabric feels good against the skin regardless of the temperature or the humidity and is therefore in great demand by the consumer.

Crepe

Used to describe all kinds of fabrics–wool, cotton, silk, rayon, synthetics and blends-that have a crinkle, crimped or grained surface.

Crepe Charmeuse

A smooth, soft luster fabric of grenadine silk warp and filling, with latter given crepe twist. It has the body and drape of satin and is used for dresses and eveningwear.

Crepe de Chine

Silk crepe de chine has a slightly crinkly surface create with highly twisted fibers. It comes in three weights: 2 ply, appropriate for blouses and lingerie; 3 ply, appropriate for dresses, fuller pants and dresses; and 4 ply, most luxurious and best for trousers and jackets.

Crepe-back Satin

A satin fabric in which highly twisted yarns are used in the filling direction. The floating yarns are made with low twist and may be of either high or low luster. If the crepe effect is the right side of the fabric, the fabric is called satin-back crepe.

Crewel

A true crewel fabric is embroidered with crewel yarn (a loosely twisted, two-ply wool) on a plain weave fabric. Traditional crewel fabrics are hand-woven and embroidered in India. The design motif for crewel work is typically outlines of flowers, vines, and leaves, in one or many colors. Modern weaving technology and inventive designers create traditional “crewel” looks with weave effects alone, without the use of embroidery.

Crocheted

Loose, open knit made by looping thread with a hooked needle. Used for light, summer sweaters.

D

Damask

A glossy jacquard-type fabric, the patterns are flat and reversible. Unlike jacquards, the fabric is all one color. Suitable for draperies, curtains bed and table linens.

Denim

A twill weave cotton fabric made with different colored yarns in the warp and the weft. Due to the twill construction, one color predominates on the fabric surface. Suitable for pants, jackets and skirts. Pre-wash and dry 100% cotton denim at least twice to eliminate shrinkage and color bleeding.

Dobby

A decorative weave, characterized by small figures, usually geometric, that are woven into the fabric structure.

Doeskin

Generally applied to fabric with a low nap that is brushed in one direction to create a soft suede-like hand on the fabric front. Great for tops, pants and fuller skirts.

Dotted Swiss

A lightweight, sheer cotton or cotton blend fabric with a small dot flock-like pattern either printed on the surface of the fabric, or woven into the fabric. End-uses for this fabric include blouses, dresses, baby clothes, and curtains.

Double Cloth

A fabric construction, in which two fabrics are woven on the loom at the same time, one on top of the other. In the weaving process, the two layers of woven fabric are held together using binder threads. The woven patterns in each layer of fabric can be similar or completely different.

Double Knit

A weft knit fabric in which two layers of loops are formed that cannot be separated. A double knit machine, which has two complete sets of needles, is required for this construction.

Drill

Strong, medium- to heavyweight, warp-faced, twill-weave fabric. It is usually a 2/1 left-handed twill and piece dyed.

Duck

A tightly woven, heavy, plain-weave, bottom-weight fabric with a hard, durable finish. The fabric is usually made of cotton, and is widely used in men’s and women’s slacks, and children’s playclothes.

Dupioni Silk

A crisp fabric with irregular slubs. It is perfect for tailored slimmer silhouettes like flat-front trousers, jackets and fitted blouses and dresses. Silk Dupioni can be machine washed in the gentle cycle and drip-dried.

E

Eyelet

Fabric with patterned cut-outs, around which stitching or embroidery may be applied in order to prevent the fabric from raveling.

Elasticity

The ability of a fiber or fabric to return to its original length, shape, or size immediately after the removal of stress.

Embossing

A calendering process in which fabrics are engraved with the use of heated rollers under pressure to produce a raised design on the fabric surface.

Embroidery

An embellishment of a fabric or garment in which colored threads are sewn on to the fabric to create a design. Embroidery may be done either by hand or machine.

F

Faille

A glossy, soft, finely-ribbed, silk-like woven fabric made from cotton, silk, or manufactured fibers.

Fat Quarter

cut piece of fabric which is made by cutting a half yard in half again vertically. The piece is therefore approximately 18″ x 22″. This allows for cutting larger blocks than a standard quarter yard which is 9″ x 44″.

Faux Fur

Artificial fur made from synthetic material.

Felt

A non-woven fabric made from wool, hair, or fur, and sometimes in combination with certain manufactured fibers, where the fibers are locked together in a process utilizing heat, moisture, and pressure to form a compact material. Ideal for most craft projects.

Flannel

Usually a 100% cotton fabric that has been brushed on one or both sides for softness. Typically used for shirts and sleepwear.

Flax

The plant from which cellulosic linen fiber is obtained. Linen is used in apparel, accessories, draperies, upholstery, tablecloths, and towels.

Fleece

Synthetic knit fabric that stretches across the grain. Suitable for vests, jackets and tops.

Foil

A thin piece of material put under another material to add color or brilliance.

Foulard

A lightweight twill-weave fabric, made from filament yarns like silk, acetate, polyester, with a small all-over print pattern on a solid background. The fabric is often used in men’s ties.

Friezé

A strong, durable, heavy-warp yarn pile fabric. The pile is made by the over-wire method to create a closed-loop pile.

G

Gabardine

A worsted twill weave that is wrinkle resistant. Wool gabardine is the most common and is considered year-round fabric for suits.

Gauze

A sheer, open-weave fabric usually cotton or silk. It is suitable for blouses, dresses and curtains.

Georgette

A drapey woven fabric created from highly twisted yarns creating a pebbly texture. It is semi-sheer and suitable for blouses, full pants and flowing dresses.

Gingham

A medium weight, plain weave fabric with a plaid or check pattern. End-uses include dresses, shirts, and curtains.

Gossamer

Very soft, gauzelike veiling originally of silk.

Grois Point

A fabric which features large points of yarn on the surface of the fabric.

Grosgrain

A tightly woven, firm, warp-faced fabric with heavy, round filling ribs created by a high-warp count and coarse filling yarns. Grosgrain can be woven as a narrow-ribbon or a fullwidth fabric.

H

Habutai

A soft, lightweight silk fabric, is heavier than China silk.

Heather

A yarn that is spun using pre-dyed fibers. These fibers are blended together to give a particular look. (For example, black and white may be blended together to create a grey heathered yarn.) The term, heather, may also be used to describe the fabric made from heathered yarns.

Herringbone

A variation on the twill weave construction in which the twill is reversed, or broken, at regular intervals, producing a zig-zag effect.

Homespun

Refers to a coarse, plain weave fabric with a hand-woven look.

Houndstooth Check

A variation on the twill weave construction in which a broken check effect is produced by a variation in the pattern of interlacing yarns, utilizing at least two different colored yarns.

I

Ikat

A fabric, usually handwoven which has been tie-dyed in the yarns prior to weaving. The pattern can range from simple little dots to intricate double ikats.

Interlining

An insulation, padding, or stiffening fabric, either sewn to the wrong side of the lining or the inner side of the outer shell fabric. The interlining is used primarily to provide warmth in coats, jackets, and outerwear.

Interlock Knit

Also known as T-shirt knit. It usually has stretch across the grain. Great for tops, skirts and lightweight pants.

Irish Poplin

There are two types of Irish poplin: (1) Originally a fabric constructed with silk warp and wool filling in plain weave with fine rib. (2) Fine linen or cotton shirting also made in Ireland. Sometimes used for neckwear.

J

Jacquard

Woven fabrics manufactured by using the Jacquard attachment on the loom. This attachment provides versatility in designs and permits individual control of each of the warp yarns. Thus, fabrics of almost any type or complexity can be made. Brocade and damask are types of jacquard woven fabrics.

Jersey Fabric

Usually thinner or lighter-weight than Interlock knit with less stretch. It’s appropriate for tops and fuller dresses.

Jute

A bast fiber, chiefly from India, used primarily for gunny sacks, bags, cordage, and binding threads in carpets and rugs.

K

Kapok

A short, lightweight, cotton-like, vegetable fiber found in the seed pods of the Bombocaceae tree. Because of its brittle quality, it is generally not spun. However, its buoyancy and moisture resistance makes it ideal for use in cushions, mattresses, and life jackets.

Khaki

A tan or dusty colored warp face twill, softer and finer than drill. Name derived from East India word meaning “earth color.” Fabric made of cotton, linen, wool, worsted, or manmade fibers and blends.

Knit Fabrics

Fabrics made from only one set of yarns, all running in the same direction. Some knits have their yarns running along the length of the fabric, while others have their yarns running across the width of the fabric. Knit fabrics are held together by looping the yarns around each other. Knitting creates ridges in the resulting fabric. Wales are the ridges that run lengthwise in the fabric; courses run crosswise.

Knit-de-knit

A type of yarn texturizing in which a crimped yarn is made by knitting the yarn into a fabric, and then heat-setting the fabric. The yarn is then unraveled from the fabric and used in this permanently crinkled form.

L

La Coste

A double-knit fabric made with a combination of knit and tuck stitches to create a mesh-like appearance. It is often a cotton or cotton/polyester blend.

Lace

An openwork fabric with yarns that are twisted around each other to form complex patterns or figures. Lace may be hand or machine made by a variety of fabrication methods including weaving, knitting, crocheting, and knotting.

Lamé

A woven fabric using flat silver or gold metal threads to create either the design or the background in the fabric.

Leather

Animal skin dressed for use in clothing and upholstry.

Leatherette

A Simulated leather.
Linen

A natural plant fiber, linen fibers are stronger and more lustrous than cotton. Depending on the weight, it’s appropriate for anything from           heirloom sewing and blouses to slacks and jackets.

Lawn

A light, fine cloth made using carded or combed, linen or cotton yarns. The fabric has a crease-resistant, crisp finish. Linen lawn is synonymous with handkerchief linen. Cotton lawn is a similar type of fabric, which can be white, solid colored, or printed.
Loden cloth

A heavily fulled or felted fabric originating in Austrian Tyrol. Wool may be blended with camel hair or alpaca. Thick, soft, waterproof without chemical treatment. Sometimes given fine nap. Used for coats, sportswear.
Lycra
A DuPont trademark for its spandex fiber. Any time you see this fiber listed on a label, expect comfort, movement, and shape retention that won’t wash away.

M

Madras

A lightweight plain weave cotton fabric with a striped, plaid, or checked pattern. A true madras will bleed when washed. This type of fabric is usually imported from India. End-uses are men’s and women’s shirts and dresses.

Marabou

A thrown silk usually dyed in the gum or a fabric made of this silk.

Matelassé

A medium to heavyweight luxury fabric made in a double cloth construction to create a blistered or quilted surface. Common end-uses are upholstery, draperies, and evening dresses.

Melton

A heavyweight, dense, compacted, and tightly woven wool or wool blend fabric used mainly for coats.

Merino

A type of wool that originates from pure-bred Merino sheep. The best Merino wool comes from Italy.

Mesh

A type of fabric characterized by its net-like open appearance, and the spaces between the yarns. Mesh is available in a variety of constructions including wovens, knits, laces, or crocheted fabrics.

Microfibers

An extremely fine synthetic fiber that can be woven into textiles with the texture and drape of natural-fiber cloth but with enhanced washability, breathability, and water repellancy.

Mohair

Hair fibers from the Angora goat. End-uses include sweaters, coats, suits, and scarves.

Moiree

A corded fabric, usually made from silk or one of the manufactured fibers, which has a distinctive water-marked wavy pattern on the face of the fabric.

Moleskin

It resists wrinkling and has a beautiful sueded look on the face. The reverse has a satiny look and feel. Generally, will contain 2-4% spandex. Great for pants, jackets and heavy shirts.

Monk’s Cloth

A heavy weight cotton fabric utilizing the basket weave variation of the plain weave. Used for draperies and slip covers, monk’s cloth is an example of 4 x 4 basket weave. It has poor dimensional stability and tends to snag.

Muslin

An inexpensive, medium weight, plain weave, low count (less than 160 threads per square inch) cotton sheeting fabric. In its unfinished form, it is commonly used in fashion design to make trial garments for preliminary fit.

N

Net

Refers to any open-construction fabric whether it is created by weaving, knitting, knotting, or another method.

Nylon

Produced in 1938, the first completely synthetic fiber developed. Known for its high strength and excellent resilience, nylon has superior abrasion resistance and high flexibility.

O

Oilcloth

sheetings or printcloth that are printed, bleached, or dyed, and given a special linseed oil and pigment preparation. Used for table coverings, waterproof outerwear; now largely replaced by plastic-coated and vinyl materials.

Oilskin

A Cotton linen, silk, or manmade material treated with linseed oil varnish for waterproofing. Used for rainwear.

Organdy

A stiffened, sheer, lightweight plain weave fabric, usually cotton or polyester.

Organza

A crisp, sheer, lightweight plain weave fabric, with a medium to high yarn count, made of silk, rayon, nylon, or polyester.

Ottoman

A heavy, plain weave fabric with wide, flat crosswise ribs that are larger and higher than in faille. It sometimes comes with alternating narrow and wide ribs. When made of narrow ribs only, it is called soleil. Warp may be silk or manmade fiber; filling may be cotton, silk, wool, or manmade fiber. Used for dress coats, suits, and trimmings.

Oxford

A fine, soft, lightweight woven cotton or blended with manufactured fibers in a 2 x 1 basket weave variation of the plain weave construction. The fabric is used primarily in shirtings.

P

Paisley

A tear-drop shaped, fancy printed pattern, used in dresses, blouses, and men’s ties and upholstry fabrics
.

Panné Satin

Lightweight silk or manmade fiber satin fabric with very high luster achieved with aid of heavy roll pressure. Crushes easily. Used for eveningwear.

Panné Velvet

A lustrous, lightweight velvet fabric, in which the pile has been flattened in one direction. Has good stretch across the grain. Appropriate for tops and dresses.

Peau de Soie

A heavy twill weave drapeable satin fabric, made of silk or a manufactured fiber, and used for bridal gowns and eveningwear.

Pima Cotton A type of cotton plant developed in the Southwestern USA from a cross between Egyptian and Uplands cotton which is longer in fiber length and more lustrous than most American cottons. It is used to weave some of the popular quilting fabrics which have a silk-like hand.

Piqué

A medium-weight cotton or cotton blend fabric with a pebbly weave that looks almost like a check. Suitable for vests, jackets and fitted blouses. Also used in children’s clothes.

Plissé

A lightweight, plain weave, fabric, made from cotton, rayon, or acetate, and characterized by a puckered striped effect, usually in the warp direction. The crinkled effect is created through the application of a caustic soda solution, which shrinks the fabric in the areas of the fabric where it is applied. Plissé is similar in appearance to seersucker. End-uses include dresses, shirtings, pajamas, and bedspreads.

Plush

A compactly woven fabric with warp pile higher than that of velvet. Made of cotton, wool, silk, or manmade fiber, often woven as double face fabric and then sheared apart. Higher pile gives bristly texture. Usually piece-dyed but may be printed. Used for coats, upholstery.

Pointelle

Very feminine, delicate-looking, rib-knit fabric made with a pattern of openings.

Polyester

A manufactured fiber introduced in the early 1950s, and is second only to cotton in worldwide use. Polyester has high strength (although somewhat lower than nylon), excellent resiliency, and high abrasion resistance. Low absorbency allows the fiber to dry quickly.

Poplin

A fabric made using a rib variation of the plain weave. The construction is characterized by having a slight ridge effect in one direction, usually the filling. Poplin used to be associated with casual clothing, but as the “world of work” has become more relaxed, this fabric has developed into a staple of men’s wardrobes, being used frequently in casual trousers.

Q

Quilting

A fabric construction in which a layer of down or fiberfill is placed between two layers of fabric, and then held in place by stitching or sealing in a regular, consistent, all-over pattern on the goods.

R

Ramie

A bast fiber, similar to flax, taken from the stalk of a plant grown in China.

Raschel Knit

A warp knitted fabric in which the resulting knit fabric resembles hand crocheted fabrics, lace fabrics, and nettings. Raschel warp knits contain inlaid connecting yarns in addition to columns of knit stitches.

Rayon

A natural fiber created from wood pulp, it usually has good drape and a soft hand. It’s appropriate for tops, shirts, skirts and dresses.

Rib Knit

This knit has tremendous stretch across the grain a 1 x 1 rib has one rib up and one down. A 2 x 1 rib has two ribs up and one down, similar to a Poor Boy Knit.

Rip-stop Nylon

A lightweight, wind resistant, and water resistant fabric. Appropriate for outdoor wear and equipment as well as outdoor flags.

S

Sailcloth

Any heavy, plain-weave canvas fabric, usually made of cotton, linen, polyester, jute, nylon, etc. that is used for sails and apparel.

Sateen Fabric

A fabric made from yarns with low luster, such as cotton or other staple length fibers. The fabric has a soft, smooth hand and a gentle, subtle luster. Sateen fabrics are often used for draperies and upholstery.

Satin

With a lustrous, shiny surface, drapability depends on fiber content. Silk and rayon satins have the best stitch results.

Seersucker

A fabric with a woven pucker, this fabric is traditionally cotton, but can be polyester. Suitable for shirts, casual slacks and children’s clothing.

Sequined

Ornamented with a small plate of shining metal or plastic.

Shantung

A medium-weight, plain weave fabric, characterized by a ribbed effect, resulting from slubbed yarns used in the warp or filling direction. End-uses include dresses and suits.

Sheer

Any very light-weight fabric (e.g., chiffon, georgette, voile, sheer crepe). Usually has an open weave. Sheers mostly feel cool.

Silk

A natural filament fiber produced by the silkworm in the construction of its cocoon. Most silk is collected from cultivated worms; Tussah silk, or wild silk, is a thicker, shorter fiber produced by worms in their natural habitat. All silk comes from Asia, primarily China.

Silk Shantung

Similar to Dupioni silk, Shantung has a more refined appearance with smaller slubs. It’s appropriate for tailored pants fuller skirts and gowns.

Sisal

A strong bast fiber that originates from the leaves of the Agave plant, which is found in the West Indies, Central America, and Africa. End-uses include cordage and twine.

Slinky Knit

It drapes well, never wrinkles and washes beautifully. It’s the perfect travel fabric with four-way stretch for ultimate comfort. Suitable for almost any wardrobe item.

Spandex

A manufactured elastomeric fiber that can be repeatedly stretched over 500% without breaking, and will still recover to its original length.

Suede

Leather with a napped surface.

Surah

A light weight, lustrous twill weave constructed fabric with a silk-like hand. Surah is the fabric of ties, dresses, and furnishings. It is available in silk, polyester, and rayon.

T

Taffeta

With a crisp hand, taffeta is typically used for formal wear like gowns and fuller skirts. Underlining prevents some of the wrinkling it has a tendency to have.

Tapestry

A heavy, often hand-woven, ribbed fabric, featuring an elaborate design depicting a historical or current pictorial display. The weft-faced fabric design is made by using colored filling yarns, only in areas where needed, that are worked back and forth over spun warp yarns, which are visible on the back. End-uses include wall hangings and upholstery.

Tarpaulin

A waterproofed canvas sometimes made of nylon or other manmade fiber.

Tencel

Created from wood pulp, Tencel is very soft with great drape. It’s usually a medium weight fabric that suitable for pants, skirts and jackets.

Terry Cloth

Unclipped, looped pile, 100% cotton terry cloth is highly absorbent. French Terry has a looped reverse and a knit-like face.

Ticking

A variety of fabrics are known as “ticking.” The main weave is a closely-woven, thick yarn twill. Spaced, colored, and natural or white yarns repeated in the warp, and all natural or white in the filling, forming a stripe. Several color combinations used, as blue and white, brown and white, red and white. Heavy warp-face sateens as well as heavy sheetings are printed and sold as ticking. Jacquard damask ticking woven in damask effects also sold for this purpose as well as other fabrics, such as drills.

Toile

A type of decorating pattern consisting of a white or off-white background on which a repeated pattern depicting a fairly complex scene, generally of a pastoral theme such as (for example) a couple having a picnic by a lake. The pattern portion consists of a single colour, most often black, dark red, or blue. Greens and magenta toile patterns are less common but not unheard of.

Tulle

A lightweight, extremely fine, machine-made netting, it is softer to the touch than netting. Appropriate for veils and costumes.

Tweed

A medium to heavy weight, fluffy, woolen, twill weave fabric containing colored slubbed yarns. Common end-uses include coats and suits.

Twill

A fabric that shows a distinct diagonal wale on the face (e.g., denim, gabardine, tricotine).

U

Ultrasuede

An imitation suede fabric composed of polyester microfibers combined with polyurethane foam in a non-woven structure. Hand and appearance resemble sheep suede.

V

Velour

Usually with a knitted back, velour resembles velvet, but has some stretch. Appropriate for tops and sportswear like pants and jackets.

Velvet

With a longer pile, velvet is the most luxurious fabric. Stretch velvet has some lycra, It can be machine washed and will not create a shine in the seat or elbows. Appropriate for tops, skirts and fuller pants.

Velveteen

A cotton or cotton blend fabric with a short, dense pile. It lacks the sheen and drape of velvet. It is perfect for drapes and home décor items as well as pants, jackets and skirts.

Venice lace

This lace often has a high profile, and is made using a needlepoint technique rather than embroidery. A heavier weight lace, the patterns vary from geometric to floral. Each pattern is attached to the others by bars made of thread.

Viscose

The most common type of rayon. It is produced in much greater quantity than cuprammonium rayon, the other commercial type.

Voile

A crisp, lightweight, plain weave cotton-like fabric, similar in appearance to organdy and organza. It is appropriate for curtains as well as blouses and dresses.

W

Waffle Cloth

Similar to piqué in texture. Waffle cloth has a honeycomb weave made on dobby loom. Usually of cotton.

Wool

Wool is naturally stain and wrinkle resistant. It can absorb up to 40% of it’s weight in moisture without feeling damp. Wool comes in many forms including crepe, challis, gabardine, merino, melton, jersey and worsted wool suitings.

Wool Crepe

A lightweight worsted fabric with a more or less crinkly appearance, obtained by using warp yarns that are tightly twisted in alternate directions. The term is often applied to lightweight worsted fabrics for women’s wear that have little or no crepe surface.

Woven Fabric

Fabrics composed of two sets of yarns. One set of yarns, the warp, runs along the length of the fabric. The other set of yarns, the fill or weft, is perpendicular to the warp. Woven fabrics are held together by weaving the warp and the fill yarns over and under each other.

X

Sorry, no entry.

Y

Yarn

A continuous strand of textile fibers created when a cluster of individual fibers are twisted together. These long yarns are used to create fabrics, either by knitting or weaving.

Z

Sorry, no entry .
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June 3, 2010

MEASURING FOR DRAPERY CURTAINS

Filed under: Drapery/Window Treatments,Fabric — Garett@EW @ 4:22 PM
Curtain Measurements
Fullness: Curtains are designed to be 1.5 times the window width.  This offers the best view of the lace.  Generally one curtain fits windows 30 to 45″ wide. If more fullness is desired, use more than one.
Curtain Sizing: Curtain measurements are tip to tip. From the very top to the longest scallop on the bottom. The width is first, followed by the length. (W x L) These are flat measurements.
Mounting: When mounting outside the window frame, curtains can end anywhere.  At the sill, the apron, in the middle of the wall between the window and floor, to the floor, or puddled on the floor.
Privacy: Lace curtains should not be used alone where privacy is a must.  Fortunately, lace curtains can be installed over shades or blinds and look terrific.
Basic Components
festoon topperA Festoon valance can be used alone or as an insert between the swag pairs. fabric swagsThe one piece swag and fan tie swag may be used alone or with panels and tiers.
valance
The Valance goes at the top of the window. It can be used alone, as an insert between the swags, and over panels or tiers.
tier curtainsTiers usually fit the bottom half of the window. The Valance/Tier designation indicates it is designed to be used as either a tier or a long valance. fabric window panelThe versatile panel. This piece can hang just about anywhere on the window.
Configurations

(Limited only by your imagination).

fabric paneland festoonA festoon Valance over 2 panels, tied back.  A double curtain rod is needed. fabric swag pairThe swag pair can be hung inside or outside the window frame.  Ideally, it should come down about 3/4 as shown. Other lengths are fine as long as the window does not appear cut in half.
fabric swag pair and tier2 Swag Pairs over 2 tiers. This is a double window. fabric swag and festoon

1 Swag Pair with Festoon inserted, over 2 panels. This is a double window.

fabric panelOne panel tied back. This works well where 2 windows are close to each other. This would be the right side window, the left side would tie back to the left. fabric valanceThe Valance can be hung alone.

Quick Decorating Tips:

Privacy IssuesSun & Ultra-Violet Concerns

Fabric ContentStyle & Design

Quick Lace Curtain Terms GuideBay Windows

Privacy Issues:

Lace curtains should not be used alone where privacy is a must.  Fortunately, lace curtains can be installed over shades and blinds and look terrific.

Sun and Ultra-Violet Concerns:

Lace curtains softly filter light but not the harmful ultra-violet rays that can damage fine furnishings.  This includes furniture, both wood and upholstered, floors and rugs, as well as the art on your walls.  In most instances, this is not a problem.  However, wherever the light bothers you for a period of time daily, and for most of the year, this could be a problem.  There are many possible solutions including windows with built-in protection, products that can be applied to your windows, and protective window treatments such as fabric draperies, shades or blinds.  Some of our current Scottish Lace curtains have an UV protective additive. This will help the curtains last longer, but will not protect any furnishings. Polyester lace will not be affected by the sun.

Fabric Content:

Lace curtains are usually made from either polyester or cotton with some polyester added.  There are very few items made today that are totally cotton.  The term “polyester” does have a “bad” reputation, remembering the stiff polyesters of the past.  However today’s polyesters have come a long way.  They are soft, very easy to clean, and very durable.  (Not to mention – good-looking!) Polyesters can even be made to have the look and feel of fine leather.

As with any fiber, there are varying grades and types of polyester. You can still find the less costly polyester lace curtains and other products that have that yucky feel.  We use only high quality polyesters in our lace curtains.  Some of our  lace draperies are “memory” polyesters that will retain their “drape” after washing.

Our cotton-content lace curtains are either 95% cotton and made in Scotland, 70% cotton-rich made in the USA, or 33% cotton made in Europe.  You will be hard-pressed to actually find or feel the polyester fibers in these lace curtains.  The polyester adds durability and aids in shape retention.  Curtain stretchers have been regulated to the antique collectors! (For those of you too young to remember, curtains were washed and mounted on stretchers to dry. The edges of the curtains were slipped over tiny pins, top, bottom and sides and the rack was adjusted to hold the curtain taunt as it dried.)

QuickTerms Guide:

The Valance is a short top treatment. It can be used alone or with tiers or over panels. Use as many as you need for wide windows. Each piece fits windows 27″ to 48″ wide. Some Valances are shaped like short swags.

Tiers are used on the bottom half of the window, if desired. The 24″ Tier can also be used as a longer top treatment. Each tier fits a window 27″ to 48″ wide. Tiers are one piece unless noted otherwise.

The Swag Pair is a top treatment for a single window. There is a left and right piece. One swag pair fits windows 27″ to 58″ wide. The valance/insert or festoon can be inserted between the swag pair for wider windows or a fuller look. There are One Piece Swags which have to used in multiples for wider windows. Swags can be combined with tiers or panels.

To appreciate the full beauty of our Panels, use one for each window 27″ to 48″ wide. They can be used alone or with top treatments, either lace or fabric. You can hang them to the sill, below the sill, to the floor, or puddled on the floor. If you would like to tie them back, you will need 2 panels.

Bay Windows:

If your bay has the narrow windows on the ends with a wider window in the center, the swag pair is a good choice. The left piece goes in the left bay and the right piece in the right bay. The valance/insert or festoon goes in the center. This keeps the fullness pretty even.

Style & Design:

On our left side navigation bar, we have general Style Groups to help you find the patterns that will fit your style.  Please keep in mind that these are not written in stone and most patterns will adapt to almost any style category. Much depends on your furnishings and what you wish to highlight.

Our laces are either new designs or reproduction designs. Whichever you choose, they will be exceptional designs, suit their purpose, and serve you well for many years.

Scottish lace curtains are all reproductions from lace archives. The Rennie and Wisteria belong in the Arts & Crafts style, or even Art Deco. Our other patterns will do well in any country, traditional or Victorian setting. Long curtain panels lend towards a more formal setting, while sill length is more casual.

Please call or email with questions.

We look forward to hearing from you.

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OUTDOOR FABRIC SEWING/COMPARISON CHART

Filed under: Fabric — Tags: , — Garett@EW @ 4:17 PM
Comparison Chart of Outdoor Fabrics
Below the chart is more info on each fabric.

Insulates
Wind Resistance
Windproof
Water Repellant
Waterproof
Breathable
Heat Resistance
Abrasion Resistance
Absorbs Moisture
Cordura X X X X
Ballistics Cloth X X X
Fleece X X
Neoprene X X X X X
No-See-Um Netting X
Packcloth X X X X
Ripstop & ToughTek X X X
Supplex X X X X

Packcloth, Ballistics, and Cordura

Packcloth is a tough, durable, nylon fabric used for luggage, backpacks, book bags, and tarps. Since most of the fabric is waterproofed, it does not breathe. Keep the cloth out of puddles and seal the seams to keep water out. Packcloth is both lighter in weight and stronger than cotton canvas. Our packcloth generally consists of fabrics in the 400-430 denier range. (A denier is the gauge or thickness of a yarn, commonly specific to nylon fabrics, and is defined as the thickness of one gram of fiber stretched out in a filament one quarter of a mile long.) Contains nylon.

Cordura cloth is like packcloth but tougher and more durable. It is resistant to abrasion but will readily damage other fabrics with which it comes into contact. We stock 500 and 1000 denier. Seams must be sealed to maintain water protection. Contains nylon. Uses include backpacks, luggage, sea bags, duffel bags, and sophisticated rock climbing packs.

Ballistics cloth is a heavier packcloth with a denier of 1050 or 1250. Since Ballistics has a higher thread count per square inch, it is heavier than Cordura. Ballistics cloth is not abrasive, and is usually sold with a waterproof coating on it. Contains nylon. For uses, see Cordura.

Fleece

Today’s fleece fabric is a high-tech, high performance, outdoor apparel product that is very easy to sew because it’s extremely forgiving. Fleece is extremely warm and soft to the touch. It wicks away moisture from the body, so it feels dry, even when soaking wet. Fleece offers tremendous warmth in comparison to its weight and offers high fashion colors, textures, and designs. Fleece fabric is made by first twisting fibers into yarn, then knitting the yard into fabric. To raise the fibers and create a downy surface, the fabric is brushed with wire brushes. This process makes the cloth compact. Finally the fleece is then sheared and finished. Uses include mittens, jackets, blankets, socks, pants, sleepers, and anything else that needs to be soft and warm.

Neoprene

Neoprene is an extremely versatile synthetic rubber and was originally developed as an oil-resistant substitute for natural rubber. Neoprene is noted for a unique combination of properties, which has led to its use in thousands of applications in diverse environments from car fan belts to wet suits, waders, insulated can holders, sports gloves, pet collars, and elbow or knee pads.

It resists degradation from sun, ozone and weather, remains useful over a wide temperature range, displays outstanding physical toughness, and has outstanding resistance to damage caused by flexing and twisting. Neoprene will conserve your natural body heat but it does so at the cost of keeping you damp if you’ve gotten wet. Recommended care: carefully, thoroughly rinse and let air dry completely. Store in a cool, dry and dark place.

No-See-Um Netting

No-see-um netting, aka Mosquito Netting, is so finely woven that it prevents not only mosquitoes and black flies but even the tiniest of no-see-ums from getting to you. Soft, flexible, lightweight, bug proof polyester netting is great for repairing your tent or making a bug shirt or hood.

Ripstop and Taffeta

These 100% nylon outdoor apparel fabrics have poor absorbency (which is why they dry so quickly), and have good abrasion resistance. Nylon is highly durable and resistant to moths, mildew, and most chemicals. It is also wind resistant and colorfast.

Ripstop is woven with a combination of lighter and heavier threads to form a grid-like pattern. Uses include tents, tent awnings, sleeping bags, kites, light jackets, pants, tarps, stuff packs and windbreakers.

Taffeta is lightweight with a high thread count. Taffetas with a thread count of 160×90 or more are downproof. They can be used for many of the same applications as Ripstop and are commonly used as lining for insulated jackets.

Supplex

Supplex is a lightweight, 100% nylon outdoor apparel fabric made by DuPont which imitates the look and feel of cotton. It is also sometimes blended with natural fibers. Supplex is soft and flexible, can be used for anything from fashion garments to outerwear and ski apparel, can be machine washed and dried, and packs down very small.

Toughtek

Toughtek is an abrasion resistant, leather-like grip fabric made of 100% polyester backing with a rubber outercoating. Coated with a copolymer formula on one side, it is rugged and nonslip in wet, dry, hot, and cold conditions. This fabric works well for many applications:

  • Glove palm and finger patches
  • Luggage/Handbag/Backpack straps, bottoms, and lumbar patches
  • Footwear soles and panels
  • Seat covers and chair cushions
  • Patches for jackets, pants, and shorts
  • Miscellaneous uses for outdoor apparel such as table covers, jar openers, shelf liners, and body armor

Thinsulate™

ThinsulateT is a synthetic microfiber insulation made be 3M and is commonly used in outerwear. Denver Fabrics carries the UDS type, known as ThinsulateT “Ultra,” which is softer, warmer, with better drape than the original ThinsulateT. We carry 2 weights; 100 and 150. The greater the weight, the greater the insulation provided. Both are double scrim (scrim on both sides of the insulative fibers). Some specific attributes of ThinsulateT are:

  • Moisture Absorbtion Absorbs less than 1% of its weight in water, helping you stay warm in damp conditions.
  • Breathability-
    ThinsulateT is breathable.
  • Durability-
    It will not bunch, matt or thin out.
  • Insulation-
    Inch for inch, Thinsulate is nearly twice as warm as down.
  • Allergenic-
    Thinsulate is hypoallergenic.
  • Water Protection : Thinsulate is not waterproof or water repellant. It may be used with shell fabrics that are.

Please Note: Nylon fabrics will fade and rot with prolonged direct exposure to sunlight.

These fabrics are not suitable for outdoor furniture, awnings, etc.

Guidelines for Sewing with

Outdoor Recreation Fabrics

Starting Out

Understanding “Technical” Terms

Sewing with this new generation of outdoor fabrics called “technical fabrics” to make “technical outerwear” need not be intimidating. The terms simply describe how the fabric or clothing is designed to function. Coatings, fibers, and finishes are technical features that contribute to how well a fabric works for a particular use, i.e. waterproof vinyl for rain coats, fleece for skiing apparel, etc. Technical outerwear refers to clothing that is highly functional and is probably a simple garment. These garments typically have specific design features (keep out wind, have unusual durability, etc.) and thus need fabrics that enhance their function. When each piece of an outfit is considered separately, one can see why a certain fabric is chosen and feel comfortable sewing with it.

Getting Started

While patterns can be found for outdoor fabric on this site, commercial patterns can be adjusted for outdoor clothing designs. Running suits can be adapted to make nylon pile outfits for cold conditions, and parkas can be made form raglan-sleeved shirt or jacket patterns.

Men or boys’ designs usually have the full cut you will want for freedom of movement and capacity for extra layers of insulation. Men should choose one size larger than usual, and women can use smaller men’s or large boys’ patterns. Any pattern can be customized, and use notions more fit for outdoor apparel use than normal use.

Outdoor fabrics are typically more bulky and harder to cut on a table. Instead, rid a spot of of debris and pet hair on your floor to cut out pattern pieces. When sewing, make sure you keep hot light bulbs away from these synthetic fabrics, and go outside or stand near an exhaust fan if you need to heat-seal nylon seam edges or waterproof rain gear.

Field Testing

If you are planning to sew outdoor fabric for a serious mountaineering expedition, finish the needed gear early enough for adequate field testing. Sewing gear which your survival depends needs to be adequately tested to uncover problems in design and materials that cannot be predicted in the sewing room.

Equipment

The Sewing Machine

While you may already have a sewing machine, if you sew on a regular basis consider an industrial machine. Most home machines are more versatile than industrial machines, but that means more things to go wrong. While it takes practice to learn to control the speed of an industrial machine, it shouldn’t be a problem if you sew regularly. Carefully check out sewing machines before buying or renting as an hour in the store may save days of frustration at home.

Serger Sewing Machines

Also known as the overlock machine, serger machines can sew up to 1700 stitches per minute. They trim the seam allowance and overcase the edge, making any garment look like ready-to-wear, and is invaluable for sewing Spandex, knit, and woven fabrics. There are three primary differences in the serger when compared to a conventional machine: number of threads, use of loopers rather than a bobbin, and knives which trim away seam allowances.

Special Problems

This is an abbreviated list of some problems to look out for with these outdoor fabrics.

Nylon Fabrics – Nylon fabrics will fade and rot with prolonged direct exposure to sunlight. These fabrics are not suitable for outdoor furniture, awnings, etc.

Curves and Slippery Fabric – Sewing curved seams on lightweight, slippery outdoor fabric can be difficult. To test how the fabric sews, practice on scraps first.

Coated Fabric – Some waterproof coatings on outdoor fabric can feel sticky, preventing material from sliding under the presser foot of the sewing machine properly and/or pushing the top layer ahead of the bottom layer. Lightening the pressure of the presser foot or notching long seams to recognize a “creep” problem are possible solutions to this problem, or putting tissue paper under the fabric while sewing and then ripping it away from finished seam.

Breathable Waterproof Fabrics – Investing in these fabrics means putting lots of money at stake. Here are some tips to keep them as much intact as possible:

  1. Use weights instead of pins when cutting pattern pieces.
  2. Keep hands and sewing machine free of oils as they can ruin the waterproofness of the fabric.
  3. Pin as little as possible and keep the pin holes within the seam allowance, and remove any tape you use now rather than later so it doesn’t delaminate the fabric.
  4. Seam-seal using seam-seal tape all places on the body of the project where stitches have been removed to prevent leaking during wear.
  5. Use smallest possible needle to handle the thread as the thread will more completely seal the hole.

Repairs & Maintenance

Some tips for repairing your outdoor gear

Zippers should be removed stitch by stitch with embroidery scissors instead of a seam ripper and NEVER with a razor. It is also a good idea to have snaps or velcro over all zippers. Sliders and stops can also be repaired if need be.

Patching is an opportunity to be highly creative, as most outdoor gear will need patching at some point during its use.

When a backpack begins to show signs of wear, it is a good idea to give it to a general maintenance overhaul: removing the frame, checking seams for weakness and raveling, replacing damaged zippers, and patching worn areas.

The causes of accidents to gear and clothing are typically due to impatience and carelessness. There is a need to shift into a lower gear, go more slowly, and think more powerfully in the wilderness. The carelessness that can cause a nuisance in the city may cause disaster in the mountains. There is no excuse for going into the outdoors unprepared.

Proper cleaning of outdoor wear will extend its life considerably as the buildup of grit within fibers is one of the major causes of weakened fiber. Wash out the grit with a mild soap, but leave the stains as harsh chemicals and “elbow grease” necessary to remove them can weaken the fibers and ruin waterproof coatings. Follow the hang-tag instructions for care. Raveling can be prevented with heat sealing – remember that once raveling begins, it can’t be stopped

Store outdoor gear with care as it is an expensive investment and deserves adequate, well-ventilated storage space. Make sure all gear is dry, and store down bags and parkas free from crowding and compression.

Tips

Binding with spandex

Spandex binding adds a nice flat finish to a fleece-cut edged. The stretch of spandex gives a more fitted sleeve edge or hem, and can replace ribbing. Choose spandex with four-way or all-way stretch. It should stretch 75% or more along the length of binding strip. Nylon/spandex is best for this as it has more strength and lasts longer than Cotton/spandex.

Side Release Buckle

Sear all cut edges of webbing by running cut edges carefully through the flame of a candle or lighter. Take care to protect yourself and your work surface from burns.

2 options for stationary buckle ends:

  1. Feed a short piece of webbing through end of stationary buckle. Fold webbing in half, matching ends. Place raw ends in seam allowance and sew into place, or
  2. Feed one end of webbing though end of stationary buckle overlapping approximately 1 inch. Sew across webbing several times to secure.

Tooth Buckle End with Adjusting Slider

Thread webbing through the slider, scooting it about half way down. Thread the webbing through the tooth end of buckle, continue webbing through underside of slider. Follow the arrows with the webbing. The slider will have two layers over the center bar.

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June 2, 2010

WALLPAPER BASICS

Filed under: Fabric,Wallpaper — Tags: , , , — Garett@EW @ 2:17 PM

BASIC WALLPAPER CATEGORIES

The most popular types of wallpaper you will find are:

* Vinyl Coated Paper – this wallpaper has a paper substrate on which the decorative surface has been sprayed or coated with an acrylic type vinyl or polyvinyl chloride (PVC). These wallpapers are classified as scrubbable and strippable, and are suitable in most any area. These papers are better resistant to grease and moisture than plain paper, and are good for bathrooms and kitchens.

* Coated Fabric – this wallpaper has a fabric substrate coated with liquid vinyl or acrylic. The decorative layer is printed on this coating. This is generally considered more “breathable” wallpaper which makes it best for use in low moisture rooms, like living areas.

* Paper Backed Vinyl/Solid Sheet Vinyl – this wallpaper has a paper (pulp) substrate laminated to a solid decorative surface. This type of wallpaper is very durable since the decorative surface is a solid sheet of vinyl. It is classified as scrubbable and peelable. Solid sheet vinyl can be used in most areas of the home since it resists moisture and is stain and grease resistant. However, this type of wallpaper will not withstand hard physical abuse (like mudrooms or storage areas).

* Fabric Backed Vinyl – this wallpaper has a fabric substrate laminated to a solid vinyl decorative surface.

* Paper – this type of wallpaper refers to wallpaper with a paper substrate/ground combination upon which the decorative layer is printed. True papers are not coated, but some may have a coating applied to seal in the inks. Because this type of wallpaper varies widely, check the label for attributes of the pattern/brand you want to purchase.

Rediscover the charm, elegance and distinctive style that only comes with wallpaper from Eade’s Wallpaper & Fabric.

The new wallpapers and borders out today use the most user-friendly wallcovering materials ever introduced. They are lightweight and easy to handle, yet sturdy enough so that they won’t expand, nor will the seams curl or separate. And removal is even easier than installation. No messy tools or chemicals. Just lift up a corner and each strip removes in one clean motion with no residue.

Plus, great color and design make these wallpapers the perfect choice for innovative and unique walls in your home – with no ups and downs. Just beautifully simple results.

INSTALLATION IS NOW A SIMPLE PROCESS

The wallcoverings at Eade’s:

• install cleaner, easier and faster

• take about half the time to hang

• are more stable – won’t expand when hanging for a seamless, professional look

• available in prepasted (you can hang immediately after wetting – no booking) or paste the wall (simply position and smooth strip onto the wall with a gentle swipe)

REMOVAL IS NOW VIRTUALLY EFFORTLESS

And when it comes time to redecorate:

• removal is even easier than hanging

• 100% dry removable – no steamers or chemicals necessary

• like peeling a banana, the average 8′x10′ room can be stripped in about 15 minutes

• will not damage walls

• leaves no residue on walls

• walls can be repapered immediately without additional preparation

AND NOTHING CHANGES THE CHARACTER OF A ROOM QUITE LIKE NEW WALLPAPER

Today’s new wallpapers and borders make decorating and redecorating easier than ever. And they’re environmentally friendly, vinyl free and inhibit the growth of mold and mildew.

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May 14, 2010

Bennison Fabrics – May 2010

Filed under: Fabric — Garett@EW @ 3:59 PM
Bennison Fabrics - May 2010

Spring glides into Summer with DAISY CHAIN in this light and airy bedroom. We have some lovely new fabrics and colourways this Spring, so visit the website and take a look at the Collection page.
DAISY CHAIN linen by Bennison Fabrics
This elegant bedroom has both chair and curtains in  DAISY CHAIN on oyster linen. The close up image at right shows the loose bouquet of pink roses and scattered buds with silvery leaves. The barely perceptible daisies hang in looping chains.
LILAC and DAISY CHAIN linen by Bennison Fabrics
The LILAC on oyster linen walling above left features both lilac and wisteria prettily reflected in the soft lustre of a Venetian mirror. Mauve DAISY CHAIN on oyster silk at right is also available on either beige or oyster linen.
DAISY CHAIN linen by Bennison Fabrics
These curtains in DAISY CHAIN, mauve on oyster linen, were used by Cath Kidston in her house in the country and indeed we first mixed these colours as a custom colour for Cath to go with a vintage cushion. Continuing with the lilac and mauve theme, FADED FLORAL was adapted from an antique textile found by Geoffrey Bennison in 1983 and has been in continuous production ever since.

In the Press
TOOTHCHECK linen by Bennison Fabrics
A handsome chair covered in TOOTHCHECK, Treeparrot colours of pink, charcoal grey and yellow on beige linen appears in House and Garden, May 2010. On the right is the dining room of Nancy Meyers (Director, writer and producer of It’s Complicated) with chairs covered in CHINESE TOILE, charcoal on oyster linen. This photo was originally published by In Style Home and we found it on Joni Webb’s blog, Cote de Texas.

Treeparrot and Toothcheck
TOOTHCHECK and TREEPARROT linen by Bennison Fabrics
More from House and Garden, above left, TREEPARROT on oyster linen curtain and walling. The same TOOTHCHECK used on chairs with TREEPARROT curtains by Kit Kemp for the new Crosby Street Hotel in SoHo, New York.

English Home
GREAT TOILE linen by Bennison Fabrics
“Bennison’s timeless fabric and wallpaper designs are on our wish list. Bennison is one of the few companies that still hand prints its fabric designs in England” (Thank you English Home, May 2010, for devoting the whole of the back page to us and emphasizing the fact that we are proud to be an English company still maintaining our printing base in this country and honouring native craftmanship). We also custom colour designs for a minimum of 50 metres.

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April 29, 2010

Appeal to Your Glamorous Side – Schumacher

Filed under: Fabric,Wallpaper — Tags: — Garett@EW @ 2:22 PM

Thoroughly Modern Glamour

This new collection features a soothingly  neutral color palette in serene shades of silver, champagne and pale  spa blue, accented with vibrant chartreuse.
Ripple Effect Ripple Effect
This luxurious heavy silk fabric was  inspired by an Art Deco metalwork design of rippling lines in a grand  chevron motif.
Silk Fret and Ripple Effect
Silk Fret Silk Fret
This classic canework design was  enlarged to a modern scale for this new softly shimmering fabric. The  motif has a textured look and a luxurious satin weave of 100% silk.
Modern Glamour
Scallop Embroidery Scallop Embroidery
This simply modern scallop motif is  inspired by an Art Deco era detail and is available in sophisticated  neutral shades ranging from white and silver to rich java and taupe.
Wavelength Wavelength
This simply modern scallop motif is  inspired by an Art Deco era detail and is available in sophisticated  neutral shades ranging from white and silver to rich java and taupe.
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Robert Allen Introduces the Lifestyles Collection

Filed under: Fabric — Tags: , — Garett@EW @ 2:19 PM

Lifestyles Dockside and Lifestyles Fireside, two versatile new collections of performance fabrics, combine style with durability (30,000 double rubs). Perfect for a vacation home or rental property and ideal for adding style to the year round home, these lively designs add fun to any living space. Coastal-themed patterns in casual linen-looks, matelassés and chenille textures are offered in soft natural neutrals as well as nautical red, white and blue. Rich traditional colors and mountain home motifs distinguish the Fireside collection, which ranges from rustic southwest looks to sophisticated “Aspen casual” designs.

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March 16, 2010

Why No Job Is Really Too Small

Filed under: Drapery/Window Treatments,Fabric,Wallpaper — Tags: , , , , , — Garett@EW @ 3:56 PM

(By: Tim Clark)

A small job means different things to different contractors and service professionals. Some claim any job under $100 is too small while others consider anything under $50,000 to be too small. Whatever the case may be for your business, you really shouldn’t discard the small job.

Here are two reasons why:

The small job lead may come to you and you choose not to do it. That could be a big mistake. Someone else is going to take that job and get the project done. If your competitor completes this tiny piece of work and does a great or even a good job, there’s a good chance the homeowner or business owner is going to call this person again for the next project. And they may also become a great cheerleader for your competitor and pass his or her name all around town. Wouldn’t it be better for your business to take on the project and then get future work and referrals from it?

Another aspect to consider is this – what if the small project turns into a really big project? For example, a homeowner wants to replace a sink in the bathroom. It’s a pretty small job. But what if that sink replacement becomes more than that? Countertops and cabinets could also be upgraded, along with some new paint, and flooring. Before you know it, it’s a complete bathroom remodeling project.

In a down economy, many people are not taking on the big projects. Things are slowly improving in certain areas. Many contractors and service professionals are gearing up to be able to handle the smaller job leads out there until the economy is rolling again. It would be a smart move to equip your business to handle these smaller projects, too. If you already are taking on the small jobs, then don’t forget to upsell your services to give clients the satisfaction they’re really looking for. It will have people calling you back and it will keep your business name on their lips as they talk to friends and family.

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Bennison Fabrics – March 2010

Filed under: Fabric — Tags: , , — Garett@EW @ 3:52 PM
Bennison Fabrics - March 2010

Dress the window with MONTECITO, a luscious cascade of oyster silk. This English design dates from around 1840 and our original document came from a grand house in Devon where it was used as bed hangings for a four-poster bed. It makes wonderful walling fabric and also comes with an aqua background on oyster linen (see Bennison newsletter for February).
MONTECITO  linen by Bennison Fabrics

China
CHINA seen here used as a table runner in Elle Decor, January/February 2010. These Chinoiserie panels depict musicians, cranes and a weeping willow framed by bamboo latticework and surrounded by cranes in a hexagonal trellis pattern.
CHINA linen  by Bennison Fabrics
Seen above in the original colourway of blue, red and cream on oyster linen. Also available in pink, green and cream on oyster which can be seen on our website in the Bennison Collection.  There is also a companion print, CHINA BIRDS (see below) which comes in the same two colourways. See more of both these fabrics on our Collection page.
CHINA BIRDS  linen by Bennison Fabrics

Banyan
BANYAN linen  by Bennison Fabrics
BANYAN shown above on oyster linen has been used as walling in this stylish bedroom decorated by Guy Goodfellow. This photograph appeared in House and Garden, March 2010. BANYAN also comes in a green colourway and can be seen on our New Designs page on the website. The name Banyan denotes a morning gown worn by men at home in the eighteenth century and these loose informal dressing gowns were often made of chintz, blockprinted in India and imported by the East India Company.

Roses, shocking pink on oyster linen
LOTUS linen  by Bennison Fabrics
All time favourite, ROSES,  seen here to great effect in House and Garden, March 2010 covering a console table trimmed with studded nails. One of twenty-five special colourways of Roses, this Schiaparelli Shocking Pink version on oyster linen brings this mid nineteenth century English design bang up to date. There are more pictures on our Lifestyle Images page.

New Colourways
CHINESE VASES  and KASUMI linen by Bennison Fabrics
A beautiful new background colourway for CHINESE VASES and REVERSE KASUMI right, in dove grey, one of several new stone colours. This versatile allover print is a perfect complement to many of our latest prints.  Check out our latest prints in the New Designs section on our website www.bennisonfabrics.com

Hot off the Printing Table
PETITES  FLEURS linen by Bennison Fabrics
Finely drawn roses, tulips and carnations in faded colours of madder and indigo. This print was taken from an eighteenth century French fichu or lightweight cotton or muslin scarf and is printed on our fine oyster linen.

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Bennison Fabrics – February 2010

Filed under: Fabric — Tags: , , — Garett@EW @ 3:49 PM
Bennison Fabrics - February 2010 umbrella image

Umbrellas at the ready! Gray skies and rainy days will be greatly cheered by these brightly coloured umbrellas. Featuring, from the left clockwise, Phoenix, purple Lotus, Blueprint, American Resist, Green Roses, Montecito aqua, shocking pink Roses, green Waikiki and Lotus.

LOTUS  and  MONTECITO
LOTUS linen  by Bennison Fabrics
LOTUS is a strikingly beautiful print from the Turkmenistan region and was taken from the lining of a silk ikat coat. It shows curving stems of lotus flowers in full bloom and bud with Chinese or Tibetan cloud motifs.
MONTECITO  linen by Bennison Fabrics
MONTECITO, has a soft aqua blue background which shows off the delicate ivory and creamy yellow of the magnolia. As in many arboresques, several different types of flower and blossom develop on a branch, but maybe it’s possible to suspend our disbelief and imagine that trees may actually grow like this somewhere (possibly in Pandora). For more please visit our New Designs page.

The Lady in Yellow
FRENCH TWIST  by Bennison Fabrics
A charming portrait of an Edwardian lady in Town and Country October 2000 shows a canary yellow dress flanked by curtains in pale yellow French Twist on oyster linen the colours of which are echoed in the pink tinged yellow roses. This photograph and other editorial images can be seen on our Lifestyle Images page.
FRENCH TWIST  by Bennison Fabrics
Pale yellow FRENCH TWIST is a columnar design taken from a French document print dating back to the mid-nineteenth century. Field flowers are bordered by pillars of doily-like cartouches filled with posies and rustic scenes. In pale yellow, pink and grey-green, it also comes in a stronger chrome yellow. Please go to the Collection page for more.

Oscar de la Renta at home
Oscar de la  Renta decorates with Bennison Fabrics
Oscar de la Renta sits in front of an over-sized sofa which Geoffrey Bennison bought at the sale of contents of Lord Iveagh’s Eleveden Hall in 1984. Geoffrey decorated this New York apartment for Annette Reed before she married Oscar and it appears nothing was changed for at least twenty years. The sofa is covered in Bird and Basket on beige linen, see swatch below, and the original document was found by Geoffrey covering an antique chair seat. To see more please visit the New Designs page.
BIRD AND  BASKET by Bennison Fabrics

Geoffrey Bennison’s Brighton flat – circa 1978

Geoffrey’s home in Brighton was a spacious apartment overlooking the sea with walls the colour of wet sand. The painting of mountain peaks at dawn is by Lucien Levy-Dhurmer. The Bokhara and Moroccan embroidered cushions (Broderie de Tetuan) are evidence of Geoffrey’s love of antique textiles.
Geoffrey  Bennison's Brighton apartment
More antique textiles fill the opposite end of this  sun-filled room.  Crewelwork, Indian blockprints and more Moroccan embroideries abound.  The ceiling height Coromandel screen adds drama and provoides a suitable background for the collection of blue and white Chinese pots.

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